Current Exhibition
Close Distance
Eternal Structures is presented as part of a group exhibition featuring 12 projects and 24 artists.
View exhibitionA series by Kfir Galatia Azulay
Eternal
Structures
Architecture reduced to its most enduring elements: mass, void, rhythm, proportion and light.
View the anchors
Architecture, Distilled
What remains of architecture when the building disappears?
Eternal Structures begins with architecture, then removes function, scale and site. What remains is an autonomous presence: a precise relationship between weight and emptiness, permanence and imagination.
Carved from solid white Carrara marble, each unique work acts as an architectural anchor. Together, the series holds open a space for memory, intuition and the possibility of dwelling.
Architectural Anchors
Eight unique works forming the first chapter of Eternal Structures.
ES-1 Series, 2025
Solid white Carrara marble
Form Through Subtraction
The works emerge through drawing, testing and removal. Marble is not treated as a surface, but as a body. Each cut clarifies a relationship between support and opening, enclosure and exposure.
The process is architectural in discipline, while the finished objects remain deliberately open to interpretation.
Carrara Marble
A material shaped by geological time becomes the carrier of an imagined architecture. Its weight, translucency and singular veining make every work unrepeatable.
“Not models of buildings, but structures of thought.”
Image 1 of 4
From Venice Onward
Eternal Structures was presented by the European Cultural Centre as part of the Venice Biennale exhibition season. The series remained on view for six months at Palazzo Mora in Venice, entering an international conversation across architecture, art and collectible design.
The exhibition marked the first extended public presentation of the series and opened its continuing dialogue with audiences, writers and collectors.
Exhibitions, Press
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Kfir Galatia Azulay
Kfir Galatia Azulay is an architect, artist and designer whose practice moves across architecture, interior space, objects and cultural research.
As founder and creative director of KOT Architects, he approaches every scale as part of one continuous inquiry into form, material and human experience.
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